Fine Art New Zealand Painting Tips and Techniques of Hue Tone and Intensity

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PAINTING AND DRAWING TIPS & TECHNIQUES

General Painting Techniques General Painting Tips
- Colour
- Colour II
- Design
- Developing A Painting
- Fat Over Lean
- Perspective
- Ten Rules for Classical Painting Colour has three essential properties.

Hue: This is the precise definition of a colour which is only possible by quoting its mathematical frequency of vibration. Red for instance is a vague term and may be descibed as scarlet, crimson, vermillion or any other derivation. There are many pigment suppliers today and their own brand of cadmium red or cobalt blue is going to differ in subtle ways from others brands. Not only that, but differences will occur even between batches from the same supplier. For the beginner or hobbiest this is not such an issue but for the professional who unavoidably runs out of burnt sienna during a figure painting it can be a big deal. Many suppliers now are also coming out with new hues to which they give names like "Leaf Green". While these suppliers also provide colour charts it is best not to rely on a chart that has been produced using printers inks which can in no way give you a measure of the true colour. The best idea is to produce you very own colour chart by painting a small dab of the actual colour onto a board for future reference. Label it with the name and manufacturer if you are using more than one brand.

Intensity: This is the purity, brilliance or saturation of a colour. For instance, cadmium yellow is a much more intense pigment than yellow orche which is more intense than raw sienna. For any given hue there is an infinite variation in intensity and this should not be confused with tone.

Tone: The position of a hue on a scale between white and black. Think of it this way. If you take a colour image and turn it into a black and white image then that image will be based on the colours tone only. While not exact it will give you the idea when thinking about a colour's tone. As with our cadmium yellow example, it will be (without mixing) lighter in tone than yellow orche which is lighter in tone than raw sienna.

These three properties are interdependent. Yellow is at maximum intensity in a high (light) tone while violet is at saturation in a low (dark) tone. Colours at maximum intensity conform to a tonal scale as follows: White Yellow Orange Green Red Blue Violet Black.

Landscape Painting Techniques Painting Landscapes
- Aerial Perspective
- Composition
- Using Tone

Artist Painting Materials Painting Materials
- Bristle Brushes
- Oil Paints
- The Camera

Nude Painting Techniques Painting Nudes
- Complexity of Form
- Portrait Drawing
- Public Reaction

	General Painting Tips - Colour - Colour II - Design - Developing A Painting - Fat Over Lean - Perspective - Ten Rules for Classical Painting	Colour has three essential properties. Hue: This is the precise definition of a colour which is only possible by quoting its mathematical frequency of vibration. Red for instance is a vague term and may be descibed as scarlet, crimson, vermillion or any other derivation. There are many pigment suppliers today and their own brand of cadmium red or cobalt blue is going to differ in subtle ways from others brands. Not only that, but differences will occur even between batches from the same supplier. For the beginner or hobbiest this is not such an issue but for the professional who unavoidably runs out of burnt sienna during a figure painting it can be a big deal. Many suppliers now are also coming out with new hues to which they give names like "Leaf Green". While these suppliers also provide colour charts it is best not to rely on a chart that has been produced using printers inks which can in no way give you a measure of the true colour. The best idea is to produce you very own colour chart by painting a small dab of the actual colour onto a board for future reference. Label it with the name and manufacturer if you are using more than one brand. Intensity: This is the purity, brilliance or saturation of a colour. For instance, cadmium yellow is a much more intense pigment than yellow orche which is more intense than raw sienna. For any given hue there is an infinite variation in intensity and this should not be confused with tone. Tone: The position of a hue on a scale between white and black. Think of it this way. If you take a colour image and turn it into a black and white image then that image will be based on the colours tone only. While not exact it will give you the idea when thinking about a colour's tone. As with our cadmium yellow example, it will be (without mixing) lighter in tone than yellow orche which is lighter in tone than raw sienna. These three properties are interdependent. Yellow is at maximum intensity in a high (light) tone while violet is at saturation in a low (dark) tone. Colours at maximum intensity conform to a tonal scale as follows: White Yellow Orange Green Red Blue Violet Black.
	Painting Landscapes - Aerial Perspective - Composition - Using Tone
	Painting Materials - Bristle Brushes - Oil Paints - The Camera
	Painting Nudes - Complexity of Form - Portrait Drawing - Public Reaction